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For more than 15 years, the parade has been done by DBYC with “the most amazing displays of engineering and creativity imaginable,” said organizer Tammie Toth. Starting at about 5 p.m., some 15 boats will put on a show, followed by awards, refreshments and dancing. “The most coveted of our awards is our own ‘Commodores Cup’ (for members only) for the overall best decorated, enthusiastic and best representation of the theme boat.” For more information, call 925-634-1210, ext. 22 or email talktotamdbyc@gmail.com.

And spin they did, like five little smiling red-and-purple tops, The dancing was one of the main attractions at the 22nd annual Festival of India at Paseo Padre Parkway and Walnut Avenue, It continues Sunday with a parade led ballet rustic wood string art sign / studio door hanger / baby girl nursery string art / personalized ballerina sign by Bollywood stars Ayushmann Khurrana and Esha Deol (“They’re like the Tom Cruise and Julia Roberts of Bollywood!” gushed festival volunteer Monalisa Chati) joining the dancing, food, jewelry and clothes vendors that attracted about 50,000 folks last year, with twice that many expected this year..

A personal favorite is the melancholy song from Max and Leo after “Springtime for Hitler” becomes a huge success. Sings Max, “We knew we wouldn’t lose — half the audience were Jews!” (“Where did we go right?”). Brilliant, yes?. Everything works out in the end despite Max’s gloomy jailhouse solo “Betrayed” (which Klinger nails).  Leo and Ulla return from Rio — married — and he turns himself and the ill-gotten moola over to the police.  But what better place to resurrect a career than in jail, where the boys create “Prisoners of Love” that becomes a big Broadway hit when they get out. Others follow: “Death of a Salesman on Ice,” “High Button Jews” and many more.

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“We tried to show that in the anatomy theater. They were digging up bodies to do anatomy work. They had body parts in jars to show people. You could never do ‘Frankenstein’ in a modern mode. I suppose you could, but it would be very difficult, because people believed things then that we don’t believe now.”. If you’re hoping for a Hollywood horror-story treatment, stay home and watch one on Netflix. But if you want to experience a deeper, richer story of love and abandonment, that’s what you’ll get at San Francisco Ballet’s  “Frankenstein.”.